"Technology, for example, becomes not a gimmick but a way to echo elements of the refugee experience". - The National, UAE, June 2018

Cartography is a theatrical work created by Kaneza Schaal and Christopher Myers that explores themes of geography, displacement and tracing one's personal story; beginnings, ends, and the twists and turns in between.

As part of the development of the piece, the artists undertook a two weeklong creative residency at the NYU Abu Dhabi Arts Center in June 2018 to workshop creative technologies that they wanted to use in Cartography. As a recent graduate, I was selected to work as part of the creative development team under the Interactive Media Department. I focused on developing a reactive sound environment where different sonic elements of the performance (loudness, pitch, rate of speech) could be used to control, in realtime, a projection of an ocean storm.

Stills from a rehearsal showing the projection and projection surface

A work-in-progress demonstration of the tools we developed was performed at the Arts Center at the end of the residency, and the piece was debuted in a complete form at the John F. Kennedy Center for the Performing Arts in Washington D.C. in January 2019.

Below you can watch a video produced by the NYU Abu Dhabi Arts Center that chronicles the creative residency.

The audio-reactive ocean system was built in Max and Isadora, and makes heavy use of OSC communication between the two programs to co-ordinate audio processing in Max and its relation to the ocean's behavior in Isadora. Along with this, we developed an OSC user control interface for a smoother experience running the show, and making changes to the presets.

The audio sensing and processing patch in Max

The tablet OSC control interface, showing various control pages

Reviews for Cartography